Live music coding, like other forms of programming, can require a lot of setup to get started. That’s a shame – many newcomers lose their enthusiasm as they battle editor configuration and hardware quirks. Klangmeister attacks this problem by hosting a live coding environment in the most ubiquitous programming environment in the world. Users are invited to design synthesisers and compose melodies with Lisp – without leaving the comfort of their browser.
There are already wonderful live-coding environments like Gibber and LiveCodeLab. Klangmeister’s primary contribution is its focus on functional programming techniques as a way to make music theory legible. It is able to offer this by embedding a ClojureScript compiler in the browser and encapsulating the Javascript Web Audio API in a purely functional wrapper. Sufficiently clear musical code serves a dual purpose: the production of music and also the explanation of music. Klangmeister attempts to follow Knuth’s advice that we should “concentrate on explaining to human beings what we want a computer to do.”
In this demo, I’ll explain how Klangmeister makes synthesis design clear and accessible. I will show how music theoretical concepts like scales and time signatures can be elegantly modelled using higher-order functions. Finally I’ll switch from theory to praxis and livecode a piece to put Klangmeister through its paces.